Thus, the year of fashion transformation begins. The first thing that appears is Ranban. Peter Copping, who was creative in September, was not the only task of rebooting old names because consumers were bored and their bags were not sold. It was necessary to revive it in essence.
Lanvan prefers to be the oldest in France, the oldest couture house in France, but using the word “existence” in relation to the brand over the past 10 years has expanded the problem. It may be. Since Albert Elbus left in 2015, this maison seems to be a maison like a life support device after the identity has been confused by a series of designers who do not remember the name. It was. Coping's job was to shock it and work again.
Not only Lanvin, but also for designers, the bet was great. Lanvin was a short -term creative director of Nina Rich and Oscar Dela Rent, and was an enviable job of taking over after Dela Renta's death. He joined the company in 2014, but was immediately fired by a collision with management. He spent the last few years behind Balenciaga, and at first he was in charge of Auto Couture, and has been in charge of dressing special projects and VIPs. Ranban was once again delivered to his voice and demonized what would happen when his characteristic familiarity against French style weakened by Demna's dark vision in Valenciaga. 。
is that so?
Coping's first show was more like an epipen injection rather than a defective paddle, but it still provided a carefully adjusted adrenaline dose.
In other words, in the second quarter of the 21st century, this work provided a compelling statement of what kind of fascinating and twisted sophistication would be like. If the Bauhaus residents eventually become executives of technology companies, spent the long days of discussions about the future, drinking champagne, and then throwing themselves to Le Corbusier's Daybed to drink Jinfiz. It is the clothes you might wear. 。 It is not a coincidence that the beige and black geometric carpet that covered the floor of the show space was reproduced from the carpet found in the bathroom in Jeanne Lanvin. A photo of the toilet was on the backstage Coping's moodboard.
Avoid the popular big set lure now! And big celebrities! Coping focused on clothing instead. This is the idea that social media -led days are becoming more and more outdated, which is part of the claim here. Leave yourself from the virus.
Mr. Coping incorporates a long -ranged line in the 20s, such as the strange and muddy color palette of the 1930s, such as Bronze, Navy, and Burgundy, a dropwest, pencil skirt, and a curved cocoon overcourt. That was done in the show. Up to the upper ankle. The familiar form (trench coat, peel coat, column gown) was treated as a blutetist. The power shoulder became softer, but did not recover. A romance that puts a silver -studded capelet on a black pants with a thin T -shirt and waist. They spoke gently about the heritage of this house without falling into the bog.
The result was easy to shrug, but had a realistic power that did not meet the need for beauty and simple solutions. Men's wear (the first of Coping) seemed to be a struggling supporting role rather than an equal partner of reinfation, but the evening -looking look was particularly wonderful. In particular, it is covered with a gold and black lace holt neck (one is a dress, the other worn according to the 24 carat pants) and a black pants, which is covered with a black span call. T -shirt with silk eye bolly of washing. This season, if someone doesn't wear it in at least one award show, the stylist community will not play that role.
The fact is that this clothes are worn by all aging models (the old -fashioned models that are elegant, not the former supermodel brought back for a stunt that grabs the headline in performance). I emphasized the feeling that it is clothes for individuals. Life is layered.
It goes without saying that it is possible to learn from history, not simply repeating history. That is the real warning bell.
